Lotus Sutra Buddhist ART Garden in Parigné l'Evêque with All 28 Chapters [English with Lotus Sutra Dialogue James Armstrong, Hwayoung Shon • Album by Alan SILVA
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Lotus Sutra Buddhist Garden in Parigné l'Evêque : Lotus Sutra Recitatio with AppleMusic Jazz Playlist Spiritual jazz
Saddharma-Pundarika or The Lotus of the True Law, translated by H. Kern The Dover Publications, Inc. edition, which served as the source for this video, was first published in 1963, as an unabridged and unaltered republication of the work first published by Clarendon Press, Oxford, 1884, as Volume XXI of "The Sacred Books of the East." In the mid-'60s, a small group of jazz musicians reacted to sociopolitical turbulence with a yearning for transcendence, embracing various strains of spirituality. John Coltrane's “A Love Supreme” offered a musical salute to the divine, while Albert Ayler had a rugged take on gospel (“Love Cry”). Others turned their focus abroad, with pianist Randy Weston embracing the trance grooves of Morocco's Gnawan people (“Marrakech Blues”) and Alice Coltrane adapting Indian raga (“Journey into Satchidananda”). The movement faded in the ‘70s, but four decades later L.A.'s Kamasi Washington brought it back in response to a consumerist
Lotus Sutra Buddhist Garden in Parigné l'Evêque : Lotus Sutra Recitatio with AppleMusic Jazz Playlist kall Z Fasteru
Saddharma-Pundarika or The Lotus of the True Law, translated by H. Kern The Dover Publications, Inc. edition, which served as the source for this video, was first published in 1963, as an unabridged and unaltered republication of the work first published by Clarendon Press, Oxford, 1884, as Volume XXI of "The Sacred Books of the East." A strong improviser whose colorful and spiritual music crosses many boundaries (between world music, free jazz, and folk songs from many countries), Zusaan Kali Fasteau plays soprano, shakuhachi flute, cello, piano, percussion, and quite a few "exotic" instruments such as the ney, kaval, sheng, mizmar, moursin, and the sanza. She spent her early childhood in Paris and New York and studied piano, cello, voice, and flute. After earning a B.A. in anthropology and an M.A. in World Music, she became involved in the free jazz scene of New York and San Francisco in the late '60s. In 1972, Fasteau began a 13-year musical exploration
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